Review Blasts – July 2019

This month’s short reviews come a little later in the month than usual, but that’s because so many records I wanted to cover ended up getting full reviews instead; sometimes, that’s just how it goes. That shouldn’t be seen as any kind of slight on these records, though. The Last Martyr‘s modern metal aims for the highest stars; whilst Moloch and Groakwill drag you down to the gutter. Wallowing may tell sci-fi tales, but their music is still very much of this earth; and Death by Fungi offer up some of the finest hardcore to be found not just in India, but anywhere. Finally, Wreck and Reference do what Wreck and Reference do – switch styles, experiment, and offer up something emotionally devastating. Enjoy!

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Review Blasts: June 2019 – Part II

If the previous edition of short reviews covered all sorts of different heaviness, this selection is a very different beast. Sure, there’s undeniable heaviness here – particularly on the doom side of things, from Plague of Carcosa – but there’s also energetic, nimble post-hardcore from Pacifist, the exemplary blackgaze of Hidden Mothers, noisy, abrasive post-punk/noise-rock from Hissing Tiles, and sentimental late-night drone/ambient courtesy of High aura’d and Josh Mason. A delightfully varied selection, then – but did you expect anything less?

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Review: Snøgg – Chhinnamasta

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Label: Self-released

That the first full-length from Snøgg is being self-released is the kind of thing that can make you question just what the music industry is playing at. I can only assume that it’s a conscious decision by the band to retain control of Chhinnamasta; otherwise, a lot of people are sleeping out there. The EPs previously released by the experimental black metal duo were superb; Abeloth was a particular favourite. As such, expectations from Chhinnamasta were high; but they have been met in style, with the album being more cohesive, more ambitious, and ultimately more powerful than what the band have released before, Chhinnamasta should cement Snøgg’s place as one of the most exciting and interesting bands in the black metal underground.

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Review Blasts: May 2019 – part 2

Well, I promised myself I’d run TSNTW on my own terms, and that’s exactly what I’m going to do. And if that means I want to write two lots of short reviews in a month, then I’m going to write two lots of short reviews in a month. So, for this second installment, we have a live version of a classic from Entombed; righteous crust/hardcore from rising underground stars Redbait; Under A Full Moon’s anti-capitalist funeral doom; thrashing speed metal courtesy of Aggressive Perfector, who contain members of UK black metal upstarts Wode; and stirring, string-driven modern classical from duo Kamancello. Enjoy!

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Review Blasts: May 2019

Happy International Workers’ Day! For those of you who have this day as a holiday, I hope you’ve enjoyed it. For those of us in the UK, we have the bank holiday coming. And here at TSNTW, I’m getting back into the swing of things with a series of short reviews. For this installment, we have world-ending black/death metal; speed-laced black-thrash; a furious feminist statement; a wonderful meeting of progressive technicality and black metal horror; and beautiful modern classical. Enjoy!

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Review: Roadkiller – Roadkiller (self-titled)

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Label: Self-released

Hey, you. Do you like metal? Do you like riffs that make you want to drive fast, raise hell, and fight cops? Do you like vocals layered in attitude, that won’t stand for any bullshit? Do you like songs that have the ass-kicking power of a demonic skeleton riding down a bunch of other, less awesome skeletons? Then the self-titled EP by Roadkiller is for you. Containing five tracks of no-nonsense, take-no-prisoners speed metal, full of punk energy, snarling attitude, and a hell of a lot of fun.

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