Even by the standards of what TSNTW usually covers, this edition of short reviews covers an exceptionally heavy selection of records. Evolution by Übergang brings the thrash and groove with hardcore energy, before Steel Casket by doom merchants Primitive Man buries us all in waves of noise. In Other Climes bring us back to live with the ferocity of the well-named Ruthless, whilst Mairu explore post-metal riffs with The Sacred Dissonance; before the wonderfully named Warcrab drown us in their sludge-laden death metal. Riffs! Volume! Fuck yeah!
That the first full-length from Snøgg is being self-released is the kind of thing that can make you question just what the music industry is playing at. I can only assume that it’s a conscious decision by the band to retain control of Chhinnamasta; otherwise, a lot of people are sleeping out there. The EPs previously released by the experimental black metal duo were superb; Abeloth was a particular favourite. As such, expectations from Chhinnamasta were high; but they have been met in style, with the album being more cohesive, more ambitious, and ultimately more powerful than what the band have released before, Chhinnamasta should cement Snøgg’s place as one of the most exciting and interesting bands in the black metal underground.
Well, I promised myself I’d run TSNTW on my own terms, and that’s exactly what I’m going to do. And if that means I want to write two lots of short reviews in a month, then I’m going to write two lots of short reviews in a month. So, for this second installment, we have a live version of a classic from Entombed; righteous crust/hardcore from rising underground stars Redbait; Under A Full Moon’s anti-capitalist funeral doom; thrashing speed metal courtesy of Aggressive Perfector, who contain members of UK black metal upstarts Wode; and stirring, string-driven modern classical from duo Kamancello. Enjoy!
Happy International Workers’ Day! For those of you who have this day as a holiday, I hope you’ve enjoyed it. For those of us in the UK, we have the bank holiday coming. And here at TSNTW, I’m getting back into the swing of things with a series of short reviews. For this installment, we have world-ending black/death metal; speed-laced black-thrash; a furious feminist statement; a wonderful meeting of progressive technicality and black metal horror; and beautiful modern classical. Enjoy!
Hey, you. Do you like metal? Do you like riffs that make you want to drive fast, raise hell, and fight cops? Do you like vocals layered in attitude, that won’t stand for any bullshit? Do you like songs that have the ass-kicking power of a demonic skeleton riding down a bunch of other, less awesome skeletons? Then the self-titled EP by Roadkiller is for you. Containing five tracks of no-nonsense, take-no-prisoners speed metal, full of punk energy, snarling attitude, and a hell of a lot of fun.
Fans of Jo Quail‘s previous records might find Exsolve to be a bit of a surprise. The cellist and composer has come to the attention of metal fans in recent years, touring with the likes of Amenra, Boris, and Winterfylleth, as well as appearing at festivals such as ArcTanGent. This is despite (or perhaps because of) her sound, up until this point, taking an innovative approach to the cello, resulting in compositions that have as much in common with drone and post-metal as they do modern classical. So, it is perhaps little surprise that Exsolve sees Quail team up with guests including Dan Capp (Winterfylleth), and Nik Sampson (Devilment, Prolapse A.D.). The result is an album that occupies a unique position in Jo Quail’s discography, being one of her most accessible, but also one where her distinctive musical identity is sometimes overshadows by her collaborators.
This edition of short reviews take in some very interesting stuff, including one of my favourite releases of the year (which is it? Read on to find out!). It also features a split that, though I find it flawed musically, I can’t help but want to emphasise how much I love it for what it tries to do, and how important it will be to some people. There’s a real mix of the underground and bigger names, with three of the six releases being put out without label support.
So, this month, we have melodic punk; crusty powerviolence; not-actually-war-metal; noise rock; thrash/heavy metal; goth-laced metal that all-but resurrects the spirit of Sister; and blissful blackgaze. Enjoy!